Scentzilla!

Judith Muller’s Bat-Sheba (alternatively listed as “Batsheba” or “Bat Sheba,” and “Batsheva” or “Bat Sheva”) provides a great example of how easily excellent perfumes of the past can be forgotten, even amongst obsessive perfume and bottle collectors.

Her perfume house (listed in a 1968 business directory as Bat-Sheba Perfumes) was Israeli, based in Haifa, which makes my Bat-Sheba flacon a bit of a curiosity in a vintage collection filled mostly with French and American fragrances.

Bat-Sheba was released, I believe, in 1967. It was followed by “Shalom,” around 1970 (via POL and other sources), an eponymous fragrance simply titled “Judith Muller” in 1975 (via author Nigel Groom), and one called “King David” (year unknown)*.

I find later mentions of Muller releasing an “Esprit de Parfum” being distributed in 1992 by H. Stern jewelry outlets, a fragrance for the Budapest Opera Ball in 1990 (she hails from Hungary)*, and a special perfume titled “Jerusalem 3,000″ commemorating Israel’s 50th anniversary made in conjunction with the Israel Coins and Medals Corporation in 1997*. * Asterisked references via archived news releases.

Here at right, Ms. Muller is pictured happily guiding a 2006 exhibit on her work in Budapest (taken by user EuropeLaura at webshots.com):

Rumor has it that Judith Muller herself was not the sole creator behind Bat-Sheba and Shalom, but rather that Sophia Grosjman was the perfumer. Ms. Grosjman had only just begun her career at IFF at that particular time. Whether the rumors are true, I cannot say with any certainty, but if accurate would indicate a perfuming legacy that began with extraordinarily immediate and dazzling skill.

Bat-Sheba opens on a spicy aldehyde pitch, but quickly grows in intensity into a softly powdery and juicy floral heart. The fragrance further expands as it dries, revealing an incense-laden leathery base that smells the way an immaculately styled woman looks. Notes include aldehydes, jasmine, rose, iris (orris), vetiver, incense, and leather, among others. (If this was indeed composed by Sophia Grosjman, it would make an interesting comparison for those who are more familiar with her comparatively minimal and much more feminine approach in more famous later projects.)

Strangely, Bat-Sheba and other Judith Muller fragrances are not as highly valued by bottle collectors as one might think. The flacons are exquisite, hand painted to resemble antique Phoenician and Roman glass – one might guess the sheer aesthetic quality would attract a fair amount of attention. The old Muller bottles are variously colored, including pink, green, blue, and pretty pale lavender shades. But fortunately for perfume collectors these fragrances, though rare, do not create the sort of frenzy that, say, a presentation of Jacques Griffe’s Griffonage might stir.

I picked up this flacon for only $0.99 (if I recall correctly… it’s been awhile) $2.00 (Criminy, my memory is terrible, I could have just read my own old post at POL if I weren’t so freaking lazy) at a vintage resale boutique, which is fancy talk for a kitschy junk shop. I can see on the auction sites that while this little personal shopping whim turned out to be a great deal, the price tag on Bat-Sheba is still relatively undervalued. A casual perfume collector could pick up a bottle in excellent condition without having to pinch pennies on the rest of their monthly budget.

Although I wouldn’t normally advocate collecting simply for the sake of collecting, I do feel comfortable in suggesting others might enjoy discovering this relatively small, older Israeli perfume house for the outright fun of it. With the way perfume collecting has grown as a popular hobby, the Judith Muller house remains one of the few bargains out there. Bat-Sheba would make an interesting addition to any perfume hound’s library of knowledge.